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The Hall of Fame - July 1999

 

Jerry

Guy Thing
By Jerry Newman
Fiction 004

I’m waking up.

Shit.

I fight it, wedging myself against the slippery well of consciousness, knowing what’s coming. The grittiness of eyelids is what I feel first. Then, the other: A bloom, with razored petals of force clawing into my core. I feel it growing, enveloping other cells, amebic, making them its own as it rips through nerves and sinew to get to them.

My hand grabs the switch, pressing out the cowardly morphine to hide behind. The force lessens, but doesn’t go away. The flower continues, camouflaged in my flesh. It eases into the sharp ends of wires, compressed into a tight ball, ready to spring if I let go.

What next? I suppose I should open my eyes. I wonder how many calories it takes. The flower begrudges me the energy. I thought when I was working twelve hour shifts at the foundry, I knew exactly what tired was, thank you very much. And my reward for this? For stepping into this bright, stinging light?

Grays.

Cancer steals color. I know there were colors because, so far it hasn’t bothered with my brain - directly, it’s been content to play with the nerves and cables it’s attached to. I wonder if it’s saving my brain for last. For dessert.

“Good morning sweetheart.” My wife’s voice is fangs snapping through my skull. I turn my head, the pain comes in bursts of strobed light. I want to sleep.

Her face is gray too, now. It was the final thing to lose color. I think my heart was pumping it to her by invisible pipes. I remember it was peach, the eyes were blue, the lips were pink. She’s wearing her hair up. It was brown.

“The doctors said the new treatment is promising.” Lea says it slowly, or maybe that’s how I hear now. If she is doing it on purpose, she must think I’m stupid instead of sick. A muffled, far-away anger comes. Swallowing is a savage rasp against stiff cardboard. My lungs, no longer pink and cheerful balloons, push a drowned, deep smell through my mouth. “No...more.” A thrumming is in my ears. Things lose focus like a finger is pressing onto the lens of my eyes. I close them. I want to sleep.

I think again of my plan. Of wrapping the rubber band, the freedom in the desk, around the switch and my thumb. I was an electrician and know which monitoring cable to unplug so they won’t come to stop it. I have to hoard energy for that, somehow. I want the calm glide into black more than I’ve ever wanted anything.

“Joe, I know you’re so tired baby, please don’t give up.” She is sobbing. I know the blue is surrounded by red. When she takes my hand off of the switch into hers, I don’t get mad. I squeeze that I’m sorry, instead. It makes her feel better. “I don’t want to lose you.”

It started small, this thing that’s making me dry; that’s killing me by inches: I noticed it, or it noticed me, on our vacation at the river. Which still pisses me off. You really should discover things like this when you’re in an uncomfortable place. We’d bought the white stilt-house that winter, cheap because of the floods in 93’. We were in the new bass-boat. Since Lea had finished school and got her job at the hospital, we had more money.

My son, Brian, was looking at me from an angry - “you don’t know shit, you scared old pussy, “- fifteen year old place. Like my dad saw and probably every dad sees.

“Why? I can do it. It’s just water.” This one was over my telling him he couldn’t body ski.

“Water turns into concrete at forty-five miles an hour Brian.”

He looks disgusted. “Is that what getting old is? Being afraid of everything?”

It’s odd that as you age, your concept of old is pushed a set distance from you. At thirty-seven, it’s fifty. At his age, it’s thirty-seven. “Ok, try it.” He jumps into the water.

“Joe, don’t let him do it.” Lea is a beautiful woman who thinks she isn’t. She is wearing a modest, tan one-piece, still wet from her ski-run, clinging to her small curved body, her dark nipples pebbly and hard. After sixteen years, looking at her still makes my flesh rise. I wish Brian weren’t with us. “I’ll take it slow.” I tell her.

At twenty MPH, he’s smiling. He manages through the spray, to do it smugly. I push the throttle forward. Twenty-eight MPH. The smile is tight now.
“That’s enough Joe.” She grabs my arm.

“All he has to do is let go of the rope.” My Marine drill-instructor’s voice rings in my head;

“The hu - man body can withstand in - cread - able torment, maggots. Yew can make your body stainless steel by the apple - la - cation of your will.”

I push the throttle. Thirty-four MPH. The smile is gone. Lea’s fingernails dig into my arm. Let go of the rope, I mouth at him. He doesn’t. Just looks at me with the same hard brown stare I see in the mirror.

I drop the speed to fifteen MPH and he lets go of the rope. He refuses my hand when he climbs on board. His pale, freckled skin is red with deeper red marks dappling it. His orange hair, same color as mine, is sticking up like a cartoon roosters.

“My turn, take the wheel Brian.” I jump into the water.

“What is this guys? We’re supposed to be having fun here, not a contest.” Lea’s voice rises.

I grab the rope and wave them on.

It’s nice at first. The water is a whirlpool. It’s July, hot and humid enough to punch holes in. The Mississippi’s spray feels cool on my face. Brian looks at me. I smile. The water gets harder. My skin starts stinging. I keep smiling, unable to see them now. The water turns solid, a sheet of greenish-blue glass. My body skips across it, bouncing up and down. It feels like the boxing lessons my dad gave me, when he knew his belt stopped working.

From a hidden place I keep smiling, keep my hands from turning the rope loose. When the water gets soft, the beating stops but I feel a grape-sized wrongness, a thready point, dark in my side. I refuse his hand. Lea doesn’t look at me. Brian heads for the pier. It’s harder to breathe.

“How fast did he take it?” I said that night. She was still back- turned angry.

“I didn’t tell him, and I’m not going to tell you. What is it Joe? Some vestigial pride from caveman days? I hate it. It’s not really you, you’re a fine person, it has to come from someplace else, outside of you. Why?”

“It’s a guy thing.” I said. The point felt bigger.

The guy thing made me wait too long before telling anyone that there was something wrong. Stupidity. That’s its real name. I woke up in the hospital after I had passed-out at work, almost falling into a vat of zinc.

“Mr. King, you asked for the truth.” Doctor Fox said. “The node has metastasized, if we’d caught it sooner the prognosis would be promising.”

“I’m fucked huh?”

“Never say never, where there’s life there’s hope...” He closed the door where Lea was waiting in the outer room. “Look Joe, I’m gonna drop the bullshit. You are. Fucked. But you can still live fairly well until the end. You have to fight for it.”

I did. For months with days that were years. Pain gets boring. I’m ready to trade hells for the novelty.

“Dad.” I hear faintly.

“Daddy.” A strong hand squeezes my shoulder, pulling me back up to the grays. My eyes scrape against their sockets as I look at him. I know his face is white, I wonder if the brown is surrounded by red.

“Joe..” Lea is holding my hand. Brian’s face comes close.

“Stainless steel.” He whispers. His face goes away.

I fight the flower for energy. My throat tastes like pennies.

“Desk drawer.”

I hear it pull open.

“What dad? What’s in the drawer?” I move my hand from Leas, missing the touch but needing the switch. It is fighting me. It knows.

“Band.” I hear him moving things around.

“This rubber band?” I shake my head yes. A brittle static fills my ears.

“Shitcan.” I tell him.

“You got it, dude.” I hear him shoot it at something metallic.

“What did he say?” Lea asks.

“He wanted me to throw the rubber band away.”

The bloom shrivels as I hold their hands. There is something different about the ceiling, bright and struggling to be seen. I close my eyes, glad they can’t understand. Sleep comes.

Copyright ©1999 Jerry Newman.  All Rights Reserved

 


Raven

Skeleton Night
By Laurel (Raven)
Fiction 006

word: Osteopathy: Webster’s New World College Dictionary-page 958

* A school of medicine and surgery employing various methods of diagnosis and treatment, but placing special emphasis on the interrelationship of the musculo-skeletal system to all other body systems. (osteopathic:adj.)

It’s dark outside,

Not the kind of nightfall that glides onto a mountain lake on the ebony-tipped wings of the Canadian geese—nor the kind of sultry evening that lures parents, ice tea in hand, onto the back porch to watch bare-chested children launch themselves after fireflies in the simmering dusk.

That’s the kind of serene darkness poets fawn over.

Everybody loves it because it’s soft and plush, like a young lamb’s woolly coat. Everybody strokes it with subdued conversation, sparks it with furtively lit cigarettes, and wallows in its tranquil currents.

But it’s not THAT kind of night outside.

Tonight, silhouettes rise out of sylvan places—in the cow pasture where, by day, the children shriek Indian games and cowboy their way through icy streams and leaf-clotted gullies—under grandpa’s mud splattered boots, as he sprawls in his lawn chair smoking his plump cigars—even in the coarse mane of the arthritic mule blanketed by the feeble shade of an old Hemlock tree.

It’s an osteopathic twilight.

Because each thing engulfed by the gloom has the luster of a bone fragment. Every quivering puddle is a vacant stare defined by skeletal phantoms that skate across its murky cornea. The old mule is a fractured puzzle of blue, gray, and silver nightshades. Grandpa’s cigar is a swollen finger dipped in orange paint. The children are night ponies with flying hooves that kick and paw and carry them in tight circles around the yard.

The images dart across the pupil, flexing with an unnatural suppleness reminiscent of earth worms exhumed from fresh earth, and strike at the chest causing the heart to stutter…

It is not the old-fashioned water pump used to draw water from the ancient well, but a monkey’s skeleton with tendons stretched, like the strings of black licorice between the thumb and index finger of a nine-year-old child.

and skip a beat or two…

The embers from dying cigarettes drift across the ground like tiny wayward comets. The tips of trees brush across the heavens, smudging the hazy outline of the quarter moon. Across the yard, at the edge of the forest, a wraith crouches on top of a rotten tree stump and watches the pony children. The thatch of leaves along its back rise, like the prickly spines of a porcupine.

while the moonlight scatters the bones of night into a caricature of madness.

It’s dark outside. The kind of dark that, like a truculent mongrel, chases after small children on bicycles, rips the breath out a narrow chest, and gnaws its way down into an empty belly. It’s an eternal limbo, the kind everyone wishes they could ward off with a bright porch light or a quick confession.

Everyone hates this kind of darkness because it can flay the contentment out of a day in minutes. Everyone whispers in it, fears in it, and sleeps in it. Everyone endures it—because it is the dark, and sometimes it isn’t outside at all.

 


Sherry

Like A Lover
By Sherry French
Poetry 003

Like a lover you court me ~
gently approaching then
softly retreating.

Like a lover you give to me ~
treasures from your depths
are laid at my feet.

Like a lover you play with me ~
shimmering with lightness
and bubbling with laughter.

Like a lover you dance with me ~
pulsating against me
as we sway in time.

Like a lover you seduce me ~
with your tender touches
and sweet sounds.

Like a lover you threaten me ~
when your raging fury
surges all around me.

Like a lover you thrill me ~
rolling and rising,
sweeping me away.

Like a lover you care for me ~
soothing my hurts
and my fevered brow.

Like a lover you amaze me ~
standing before you,
I am captivated.

Copyright ©1999 Sherry French. All Rights Reserved

 

 


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